nori

How to Make “Nori”

nori

How to Make Nori: Let’s try nori making!

Nori (dried laver) is as famous as a key ingredient for making sushi rolls. It encloses and holds together the rice, fish and various other ingredients. Thanks to its crisp texture and lack of fishy odor, nori is popular even with people who are disinclined to eat raw fish. It is also often used as a garnish for noodle dishes and for sembei (rice crackers) as well. In Asian countries, flavored nori is sometimes given to children as snacks. Low in calories and highly nutritious, nori is about one-third protein and one-third dietary fiber, and an excellent natural source of calcium, iron and vitamins A, B and C.

Nori is produced from a type of edible red algae that is cultivated along coastal areas of Japan. It is farmed on the surface of the sea attached to nets, which are maintained by nori farmers aboard boats. It takes about 45 days from the time the seeds are sown at sea until harvesting. Multiple crops can be harvested during a single season at about 10 day intervals. Nori made from the freshly harvested seaweed is available in shops from around November. Some seaweed is not utilized right away but is frozen quickly and used in batches to produce more nori throughout the year.

The seaweed is shredded into fine threads by machine; no additives are necessary to transform it into a thin sheet of nori. A slight taste of sea salt lingers, but the saltiness is bland. The final product is a thin dark green/black color dried sheet, with standard dimensions of approximately 18 cm × 20 cm, with a weight about 3 grams.

Originally, the term nori was generic and referred to any type of edible sea vegetable. It first appeared in documents around the 8th century. Historically, people ate it in the form of a sticky paste. But during the Edo period, in Asakusa, Tokyo, merchants experimented with putting the seaweed in a papermaking mold. They dried it in the sun alongside paper and people enjoyed the crispy texture. Eventually, seaweed in this form became more popular. As a dried sheet, nori also served a practical purpose for wrapping up rice so people could easily eat balls of rice, such as onigiri and sushi rolls without having the rice stick to their fingers.

Nori Farms in Futtsu

The nori season in Futtsu, Chiba Prefecture runs from November to April. Because nori is not “caught” like fish but is cultivated in the ocean, nori growers are more like farmers of the sea than they are fishermen. During this season, the farmers put in long hours, working from six in the morning or even earlier until dusk, planting and then removing the grown seaweed from the nets. Seedlings are “sown” five times during this period. Nori farmers usually work by themselves using small boats. Some parts of the process, such as rolling up of the nets, can be performed using machines, while others prefer to remove the seaweed by hand.

The Shin Futtsu Fishing Association presently has 144 members, down from 230 at its peak. The average age of the association member is 43, which is fairly young. Compared to some types of fishing, nori harvesting is a fairly stable occupation so it tends to attract a younger population. Some nori farmers operate their own production facilities, while others sell their crop to nori producers and distributors. Takeshi Matsumoto mainly specializes in the production process. 

Matsumoto needs approximately 4.3 seconds to form one perfectly shaped piece of nori. His technique is one of a skilled master who used to do this professionally until machines were regularly used. With a quick flick of his wrist, he is able to spread the seaweed evenly on the bamboo tray. Indeed he piles one unfailingly symmetrical bamboo tray after the next. When beginners try, everyone inevitably makes a mess. It is extremely difficult to master that flick of the wrist.

How to Make Nori:

Because nori making is based on paper making, if you have ever had the experience of producing paper from pulp by hand, the process is very similar.

  • Nori is first washed with fresh water upon being harvested. Then it is fed into a shredding machine. The shredded seaweed is mixed again with fresh water (about 4 kg of nori per 100 liters of water.)

  • Participants in the workshop take a wooden container and fill it to the rim with a scoop of the seaweed from a bucket of seaweed mixed with fresh water.

  • Then the mixture is poured into a wooden frame about 30cm square, which is fitted onto mats of split bamboo.

  • Using a basin filled with water, the seaweed in the water is swished back and forth until the mixture is spread evenly within the frame.

  • The frame is removed and the mat hung on a large bamboo sheet to dry. At Matsumoto-ya, they want to give the nori at least five hours in the sun. The residual moisture ratio should be less than 18%.

  • Then the nori is ready to be packaged and taken home.

  • At home, the nori should be lightly toasted over a gas burner before eating. (Using a toaster oven is also fine.) That will make it hot and crispy and bring out a much stronger flavor than machine-produced nori, and thicker with a chewier texture as well. All nori should be stored in the freezer or in airtight containers to prevent it from absorbing moisture.

For more Information:

Matsumoto-ya

1090-1 Futtsu,

Futtsu City, Chiba

740 yen per person

A workshop session lasts about one hour.

(Call Matsumoto-ya to find out the dates when the workshops are held.

Workshops can be arranged for groups of 20 or more.) 

投稿者:Ryoji 投稿日時:
Lunch Cars in Japan

Lunch Cars in Japan

Lunch Cars in Japan

Vehicles selling obento (boxed lunches) appear around noon on the streets of the business district. But they are prohibited from illegal parking. The vehicles park in spaces with parking meters. In the past, many of these vendors sold their goods from wheeled carts set up on sidewalks, but these were discouraged by stricter regulation. Shops were allowed to sell the lunches from tables set up in front of their stores, but vendors without their own nearby shops can do business just by feeding the parking meters.

投稿者:Ryoji 投稿日時:
G.U. :The Old Navy of UNIQLO

G.U. :The Old Navy of UNIQLO

G.U. :The Old Navy of UNIQLO

Operating some 1,000 retail outlets in Japan and abroad, UNIQLO is the original a brand name of Japan’s Fast Fashion company. The company also markets a sister brand, called g.u., which recently opened its largest store in Japan in Tokyo’s famous Ginza district. The source of the brand’s popularity is due to its stylish designs, which are sold at surprisingly low prices. For example, a full-length one-piece “maxi” garment sells for as little as 990 yen ($9), and an airy blouse just 1,490 yen ($14).

投稿者:Ryoji 投稿日時:
Real Gundam in Tokyo

Real Gundam in Tokyo

“Diver City Tokyo,” a new commercial complex in the Odaiba district on Tokyo’s waterfront, opened last spring. This huge figure of Gundam, the popular robot warrior of animated film fame, stands outside, promoting an entertainment facility called Gundam Front Tokyo. The complex will incorporate 154 stores and shops offering Japanese and foreign brand goods, the area’s largest food court, restaurants and other businesses, including outlets selling such “fast fashion” brands as UNIQLO, H&M, FOREVER 21 and others. From July, Japan’s first outlet for the Old Navy brand, a family-oriented store developed in the U.S. and Canada by The Gap group, is schedule to open in the complex.

投稿者:Ryoji 投稿日時:
Morinaga Shop in Tokyo

Confectioners Set up Shops: Ezaki Glico, Morinaga, Calbee

Recently, a new arcade called “Tokyo Okashi-land” opened in the basement of Tokyo Central Station, in which major confectionary manufacturers such as Ezaki Glico, Morinaga, Calbee and others operate their own retail outlets. Customers appear to like being able to watch items from the respective makers being produced on the spot. For example, at the Glico shop the almonds that go into its “Almond Chocolate” candy are roasted. At the Calbee shop, potato chips are fried and then coated with chocolate that’s sold on the spot. Customers are willing to wait for as long as one hour to purchase some of the most popular items.

投稿者:Ryoji 投稿日時:
How To Climb Mt. Fuji in Japan

How To Climb Mt. Fuji in Japan

How To Climb Mt. Fuji in Japan

Trekking the Well Beaten Path – Climbing Mt. Fuji 2021

 

It’s that time of the year again! Mt. Fuji will be opening again for its official climbing season from July to August in 2021 to coincide with the Tokyo Olympics 2021. We at CoCoMo Japan Tours receive a number of inquiries from people around the world; with questions ranging from tour availability to specific logistic details for climbing Japan’s tallest mountain at 3,776 m. To answer some of your questions and help you prepare for your climb, take tips by glimpsing into CoCoMo Japan Tours’ climbing tour schedule in 2021.

 

  • Tour Schedule
  1. Transportation

Tour climbers will be transported from Shinjuku to Mt. Fuji 5th Station (at 2,304 m) round trip in a bus. Climbing Mt. Fuji is a physically taking activity, so be sure to rest up well before your excursion.

 

  1. The Climb

The group will drop off their belongings at the Mt. Fuji 5th Station Rest House and eat lunch before ascent. Tour climbers will be climbing up the mountain under guidance of an experienced mountain guide, while taking frequent breaks and trying to avoid altitude sickness.

 

  1. Meals and Rest

The tour will have dinner after arrival at the Toyokan Lodge. Then, the group will rest at the napping area at the lodge. Be aware though, that the napping area is mixed-gender with allotments of only 1.6 meters of space per person. This mountain lodge is meant to serve as a short resting stop, rather than a sleeping facility.

 

  1. Unbeatable View

After departing from the lodge in the early morning and climbing for a while, the tour group will be almost at the top! If the weather is good, climbers might be lucky to see a beautiful sunrise like this one from the highest point in Japan. After watching the sunrise, the tour group will circle the rim of Mt. Fuji’s crater (called ohachi-meguri), and then climb down the mountain.

 

  1. Hot Springs

Reward yourself with a hot relaxing spring bath after a long and tiring adventure. On tour, the group will be taken by bus to a hot spring facility in Lake Yamanaka. After lunch, the bus will take the group back to Shinjuku, where the tour and the adventure end for our group.

投稿者:Ryoji 投稿日時:
What is Shamisen? How to Make It?

What is Shamisen? How to Make It?

What is Shamisen? How to Make It?
What is Shamisen? How to Make It?

The shamisen is a plucked instrument with three strings, similar to a guitar or a banjo with a neck and strings stretched across a resonating body. It is said that the shamisen was developed in the mainland of Japan in the 16th century based on the Okinawan sanshin. Though the shamisen was adapted from the sanshin, their roles in contemporary society greatly vary. In Okinawan culture, their minyo (folk music) is a part of everyday life. Therefore, it is common to find many young people who can play the sanshin on a casual level. It is a simple instrument made of wood with a snakeskin or artificial body. The shamisen, however, has two faces. One is that of a refined instrument used in Japanese classical performances like kabuki (Japanese traditional theater) and bunraku (Japanese traditional puppet theatre). Secondly, the craftsmanship is exquisite, using red sander wood imported from India. However in rural regions, it is still played casually when singing local folk songs, similar to the sanshin.     

The shamisen can be played solo, with other instruments or accompany singing. In recent years, a new style of playing based on the traditional folk songs of the northern Aomori region, but with improvisation and fast-paced fingerwork, known as “tsugaru jamisen” has grown in popularity. This style is sometimes compared to the American bluegrass banjo. The music of a duo called the Yoshida Brothers has gained worldwide recognition as their “rock shamisen” songs are used in popular video games.

Shamisen Katoh: Plucking at the Heartstrings of Japan

The one thing that distinguishes Kaneharu Katoh from other masters of traditional crafts is his gift of gab. Because an artisan works long hours for years mostly in solitude, developing conversation skills is not a natural process. Yet watching Katoh emcee his annual Chitoshan-tei, a small live show in Tokyo’s downtown district of Machiya, it is easy to see how he is Japan’s premier promoter of shamisen culture.

Chitoshan-tei live show

At the age of 15, Kaneharu Katoh went to learn to make shamisen from a master. Twenty three years ago, Katoh began his own shop and began the Chitoshan-tei tradition. Opening the windows of his shop, pedestrians can stop to watch the show that consists of shamisen collaborating with various instruments. Indeed, it has been Katoh’s life work to broaden the fan base for shamisen music.

An important turning point in his career – and in the history of the shamisen – was when Kunimoto Takeharu, a shamisen player who also did many types of experimental performances, approached him about the possibility of creating an electric shamisen. Kunimoto wrote music and performed in ensembles with western instruments. In such groups, the sound of the shamisen would always be drowned out. Along with his employee Masaaki Yamaguchi, Katoh created the Mugen 21, a shamisen with a built-in microphone, which opened a new range of possibilities for the instrument.   

  “Music keeps evolving and so changes in how an instrument is played will also be natural. For the shamisen to thrive, it must adapt to new trends and let itself be influenced by many factors,” says Katoh about the reasons why he took on the Mugen 21 project.

Since the Edo period (1600-1867), there had been few changes in the shamisen form. From the Meiji period (1868-1912), with the introduction of western instruments like the piano and guitar, traditional Japanese instruments had been on a long decline. Katoh was committed to expanding the realm of shamisen players beyond professionals and the few devoted hobbyists. Within the last 10 years, there had been a trend to use the electric shamisen in rock music. The music of electric shamisen played by Nagatsuma Hiromitsu and the Yoshida Brothers found their way into the most popular video games and young children from across Japan and around the world would became fascinated with this sound.

Kaneharu Katoh

This year, Katoh’s shamisen world as represented by Chitoshan-tei, took a difference stance on increasing the exposure of the instrument. The highlight of the event was a performance by young artist Misao Habu, using a shamisen made by Katoh from the debris of the Great East Japan Earthquake. Last June, Katoh was asked by a volunteer group “Zero-One Project” to make a shamisen from the massive debris of the earthquake. Since the neck of the shamisen can only be made from very hard wood not grown domestically, Katoh was not optimistic about finding appropriate material. But from the rubble of Miyajima in Miyagi Prefecture, he found a suitable type of African wood and proceeded to make three shamisen. Many in the audience came to the event after reading about the recycled shamisen in the newspaper. Armed with little knowledge and only curiosity about the recycled instrument, people came and were captivated by Habu’s energetic tsugaru style performance. Katoh looked pleased as he looks onto the nodding heads and clapping hands of the new converts to the instrument he has committed his life towards promoting.      

Visitors are welcomed to watch the process of how shamisen skins are placed on the instrument. Then they can learn how to play a simple song on the shamisen. Katoh puts together about eight shamisen a day. However, in the busy fall season, visits will be limited.

Making a Shamisen:

The traditional craft of making a shamisen is divided into two parts. The first is creating the neck and the body of the instrument from red sander wood. The neck typically consists of three parts that interlocks into each other. Because the wood stains everything a reddish brown, including the hands of the artisan, a different person must be responsible for the placement of the skin. Katoh specializes in the skin.

The process of placing the skin over the body of the shamisen:

1)      The kind of skin used is determined by the level and personal preference of the user.

投稿者:Ryoji 投稿日時:
Feel the Good Old Days in Osaka, Japan

Feel the Good Old Days in Osaka, Japan

Feel the Good Old Days in Osaka, Japan

The Osaka Prefectural offices were considered leading edge architecture when their construction began in 1926. The five-story central area has a special room called the “Seicho no Ma,” where New Year ceremonies and other activities were conducted. At present, the building has become too small for such activities and has been used as an executive office; but more recently it underwent restoration to its original condition and from January 25 of this year, was opened to the public and free to enter. The building boasts many elegant touches to appeal to visitors, including Japan’s largest stained glass ceiling, beautifully ornamented interior, and chandeliers restored using original materials and parquet (wooden mosaic) flooring, along with an east window offering a panoramic view of Osaka castle. Also on exhibit in a room off to the side is a collection of priceless toys, designated tangible cultural properties by Osaka Prefecture.

投稿者:Ryoji 投稿日時:
Cyclists Lanes in Japan

Cyclists Lanes in Japan

Cyclists Lanes in Japan

Cyclists Lanes in Japan

A cyclist navigation mark called “navi-mark” will be introduced for the first time around Shinagawa Station in Tokyo to indicate a lane where cyclists can ride in safety. The Tokyo Metropolitan Police Department will be placing the same mark on streets in other areas of the city. The mark, measuring 40cm wide by 4 meters in length, shows a bicycle and directional arrows indicated in white. In addition to being easy to see, it aims at encouraging cyclists to follow traffic regulations, such riding against the flow of the traffic. In recent years, accidents involving cyclists and pedestrians have been increasing, creating a major problem nationwide.

Along a street, there is a line of parking cars. In this case, they will install a bicycle lane on the sidewalk, otherwise on the roadway.
Along a street, there is a line of parking cars. In this case, they will install a bicycle lane on the sidewalk, otherwise on the roadway.
投稿者:Ryoji 投稿日時:
Japan’s Modern Underground Palace

Japan’s Modern Underground Palace

Japan’s Modern Underground Palace
Japan’s Modern Underground Palace

Japan’s Modern Underground Palace

Located 30 minutes to the northeast of Tokyo by train, in Kasukabe City, Saitama Prefecture, is a facility that resembles a huge underground Parthenon. This 6.3 kilometer long drainage conduit, built for flood control, cost a total of 230 billion yen ($2.875 billion) and took 13 years to construct. It was completed in 2006. Its function is to drain water from a river before it overflows its banks and transfer the water underground to another river.

The most impressive spot is a huge underground cavern where river water from the respective conduits converges at a single place, a “regulator cistern,” where the flow is adjusted. Measuring 177 meters long by 78 meters wide and 18 meters high, and supported by 59 concrete pillars, the sheer scale is quite overwhelming. Its No. 1 shaft, measuring 31 meters in diameter and 70 meters deep, is big enough to accommodate NASA’s Space Shuttle.

However, there are only about 10 days out of the year in which water courses through the facility. In addition to being open to public viewing, it is made available for films and TV commercials, and also hosts events such as music concerts.

投稿者:Ryoji 投稿日時: