How To Climb Mt. Fuji in Japan

How To Climb Mt. Fuji in Japan

How To Climb Mt. Fuji in Japan

Trekking the Well Beaten Path – Climbing Mt. Fuji 2021

 

It’s that time of the year again! Mt. Fuji will be opening again for its official climbing season from July to August in 2021 to coincide with the Tokyo Olympics 2021. We at CoCoMo Japan Tours receive a number of inquiries from people around the world; with questions ranging from tour availability to specific logistic details for climbing Japan’s tallest mountain at 3,776 m. To answer some of your questions and help you prepare for your climb, take tips by glimpsing into CoCoMo Japan Tours’ climbing tour schedule in 2021.

 

  • Tour Schedule
  1. Transportation

Tour climbers will be transported from Shinjuku to Mt. Fuji 5th Station (at 2,304 m) round trip in a bus. Climbing Mt. Fuji is a physically taking activity, so be sure to rest up well before your excursion.

 

  1. The Climb

The group will drop off their belongings at the Mt. Fuji 5th Station Rest House and eat lunch before ascent. Tour climbers will be climbing up the mountain under guidance of an experienced mountain guide, while taking frequent breaks and trying to avoid altitude sickness.

 

  1. Meals and Rest

The tour will have dinner after arrival at the Toyokan Lodge. Then, the group will rest at the napping area at the lodge. Be aware though, that the napping area is mixed-gender with allotments of only 1.6 meters of space per person. This mountain lodge is meant to serve as a short resting stop, rather than a sleeping facility.

 

  1. Unbeatable View

After departing from the lodge in the early morning and climbing for a while, the tour group will be almost at the top! If the weather is good, climbers might be lucky to see a beautiful sunrise like this one from the highest point in Japan. After watching the sunrise, the tour group will circle the rim of Mt. Fuji’s crater (called ohachi-meguri), and then climb down the mountain.

 

  1. Hot Springs

Reward yourself with a hot relaxing spring bath after a long and tiring adventure. On tour, the group will be taken by bus to a hot spring facility in Lake Yamanaka. After lunch, the bus will take the group back to Shinjuku, where the tour and the adventure end for our group.

投稿者:Ryoji 投稿日時:
What is Shamisen? How to Make It?

What is Shamisen? How to Make It?

What is Shamisen? How to Make It?
What is Shamisen? How to Make It?

The shamisen is a plucked instrument with three strings, similar to a guitar or a banjo with a neck and strings stretched across a resonating body. It is said that the shamisen was developed in the mainland of Japan in the 16th century based on the Okinawan sanshin. Though the shamisen was adapted from the sanshin, their roles in contemporary society greatly vary. In Okinawan culture, their minyo (folk music) is a part of everyday life. Therefore, it is common to find many young people who can play the sanshin on a casual level. It is a simple instrument made of wood with a snakeskin or artificial body. The shamisen, however, has two faces. One is that of a refined instrument used in Japanese classical performances like kabuki (Japanese traditional theater) and bunraku (Japanese traditional puppet theatre). Secondly, the craftsmanship is exquisite, using red sander wood imported from India. However in rural regions, it is still played casually when singing local folk songs, similar to the sanshin.     

The shamisen can be played solo, with other instruments or accompany singing. In recent years, a new style of playing based on the traditional folk songs of the northern Aomori region, but with improvisation and fast-paced fingerwork, known as “tsugaru jamisen” has grown in popularity. This style is sometimes compared to the American bluegrass banjo. The music of a duo called the Yoshida Brothers has gained worldwide recognition as their “rock shamisen” songs are used in popular video games.

Shamisen Katoh: Plucking at the Heartstrings of Japan

The one thing that distinguishes Kaneharu Katoh from other masters of traditional crafts is his gift of gab. Because an artisan works long hours for years mostly in solitude, developing conversation skills is not a natural process. Yet watching Katoh emcee his annual Chitoshan-tei, a small live show in Tokyo’s downtown district of Machiya, it is easy to see how he is Japan’s premier promoter of shamisen culture.

Chitoshan-tei live show

At the age of 15, Kaneharu Katoh went to learn to make shamisen from a master. Twenty three years ago, Katoh began his own shop and began the Chitoshan-tei tradition. Opening the windows of his shop, pedestrians can stop to watch the show that consists of shamisen collaborating with various instruments. Indeed, it has been Katoh’s life work to broaden the fan base for shamisen music.

An important turning point in his career – and in the history of the shamisen – was when Kunimoto Takeharu, a shamisen player who also did many types of experimental performances, approached him about the possibility of creating an electric shamisen. Kunimoto wrote music and performed in ensembles with western instruments. In such groups, the sound of the shamisen would always be drowned out. Along with his employee Masaaki Yamaguchi, Katoh created the Mugen 21, a shamisen with a built-in microphone, which opened a new range of possibilities for the instrument.   

  “Music keeps evolving and so changes in how an instrument is played will also be natural. For the shamisen to thrive, it must adapt to new trends and let itself be influenced by many factors,” says Katoh about the reasons why he took on the Mugen 21 project.

Since the Edo period (1600-1867), there had been few changes in the shamisen form. From the Meiji period (1868-1912), with the introduction of western instruments like the piano and guitar, traditional Japanese instruments had been on a long decline. Katoh was committed to expanding the realm of shamisen players beyond professionals and the few devoted hobbyists. Within the last 10 years, there had been a trend to use the electric shamisen in rock music. The music of electric shamisen played by Nagatsuma Hiromitsu and the Yoshida Brothers found their way into the most popular video games and young children from across Japan and around the world would became fascinated with this sound.

Kaneharu Katoh

This year, Katoh’s shamisen world as represented by Chitoshan-tei, took a difference stance on increasing the exposure of the instrument. The highlight of the event was a performance by young artist Misao Habu, using a shamisen made by Katoh from the debris of the Great East Japan Earthquake. Last June, Katoh was asked by a volunteer group “Zero-One Project” to make a shamisen from the massive debris of the earthquake. Since the neck of the shamisen can only be made from very hard wood not grown domestically, Katoh was not optimistic about finding appropriate material. But from the rubble of Miyajima in Miyagi Prefecture, he found a suitable type of African wood and proceeded to make three shamisen. Many in the audience came to the event after reading about the recycled shamisen in the newspaper. Armed with little knowledge and only curiosity about the recycled instrument, people came and were captivated by Habu’s energetic tsugaru style performance. Katoh looked pleased as he looks onto the nodding heads and clapping hands of the new converts to the instrument he has committed his life towards promoting.      

Visitors are welcomed to watch the process of how shamisen skins are placed on the instrument. Then they can learn how to play a simple song on the shamisen. Katoh puts together about eight shamisen a day. However, in the busy fall season, visits will be limited.

Making a Shamisen:

The traditional craft of making a shamisen is divided into two parts. The first is creating the neck and the body of the instrument from red sander wood. The neck typically consists of three parts that interlocks into each other. Because the wood stains everything a reddish brown, including the hands of the artisan, a different person must be responsible for the placement of the skin. Katoh specializes in the skin.

The process of placing the skin over the body of the shamisen:

1)      The kind of skin used is determined by the level and personal preference of the user.

投稿者:Ryoji 投稿日時:
Feel the Good Old Days in Osaka, Japan

Feel the Good Old Days in Osaka, Japan

Feel the Good Old Days in Osaka, Japan

The Osaka Prefectural offices were considered leading edge architecture when their construction began in 1926. The five-story central area has a special room called the “Seicho no Ma,” where New Year ceremonies and other activities were conducted. At present, the building has become too small for such activities and has been used as an executive office; but more recently it underwent restoration to its original condition and from January 25 of this year, was opened to the public and free to enter. The building boasts many elegant touches to appeal to visitors, including Japan’s largest stained glass ceiling, beautifully ornamented interior, and chandeliers restored using original materials and parquet (wooden mosaic) flooring, along with an east window offering a panoramic view of Osaka castle. Also on exhibit in a room off to the side is a collection of priceless toys, designated tangible cultural properties by Osaka Prefecture.

投稿者:Ryoji 投稿日時:
Cyclists Lanes in Japan

Cyclists Lanes in Japan

Cyclists Lanes in Japan

Cyclists Lanes in Japan

A cyclist navigation mark called “navi-mark” will be introduced for the first time around Shinagawa Station in Tokyo to indicate a lane where cyclists can ride in safety. The Tokyo Metropolitan Police Department will be placing the same mark on streets in other areas of the city. The mark, measuring 40cm wide by 4 meters in length, shows a bicycle and directional arrows indicated in white. In addition to being easy to see, it aims at encouraging cyclists to follow traffic regulations, such riding against the flow of the traffic. In recent years, accidents involving cyclists and pedestrians have been increasing, creating a major problem nationwide.

Along a street, there is a line of parking cars. In this case, they will install a bicycle lane on the sidewalk, otherwise on the roadway.
Along a street, there is a line of parking cars. In this case, they will install a bicycle lane on the sidewalk, otherwise on the roadway.
投稿者:Ryoji 投稿日時:
Japan’s Modern Underground Palace

Japan’s Modern Underground Palace

Japan’s Modern Underground Palace
Japan’s Modern Underground Palace

Japan’s Modern Underground Palace

Located 30 minutes to the northeast of Tokyo by train, in Kasukabe City, Saitama Prefecture, is a facility that resembles a huge underground Parthenon. This 6.3 kilometer long drainage conduit, built for flood control, cost a total of 230 billion yen ($2.875 billion) and took 13 years to construct. It was completed in 2006. Its function is to drain water from a river before it overflows its banks and transfer the water underground to another river.

The most impressive spot is a huge underground cavern where river water from the respective conduits converges at a single place, a “regulator cistern,” where the flow is adjusted. Measuring 177 meters long by 78 meters wide and 18 meters high, and supported by 59 concrete pillars, the sheer scale is quite overwhelming. Its No. 1 shaft, measuring 31 meters in diameter and 70 meters deep, is big enough to accommodate NASA’s Space Shuttle.

However, there are only about 10 days out of the year in which water courses through the facility. In addition to being open to public viewing, it is made available for films and TV commercials, and also hosts events such as music concerts.

投稿者:Ryoji 投稿日時:
Experience Earthquake in Japan

Experience Earthquake in Japan: Better Safe Than Sorry!

Experience Earthquake in Japan

Since the Great East Japan Earthquake and Tsunami of March 11, 2011, the public’s awareness of disaster prevention measures has increased greatly. Now more people have been visiting Osaka City Abeno Life Safety Learning Center. According to the female receptionist, “It’s become more common to see more visits by family groups.” One reason for this is many youngsters are now too young to be familiar with the Hanshin Earthquake that struck the region in January 1995.

During a fire drill

Inside the center is a reproduction of a section of the shopping street in a devastated condition, which demonstrates the differences  depending on a building’s degree of reinforcement and earthquake damage. Japan has many similar Safety Learning Centers, but they rarely offer actual-size dioramas found here, by which visitors can learn how dangerous it can be to stand close to a crumbled building. Electricity, as well as gas, can still be connected so it is better stay away from power lines and never use fire or not walk under sign boards which might fall unexpectedly. A group of university students were visiting as a part of extracurricular work, and this diorama display was realistic enough to scare them out of their wits.

In addition, visitors can visit demonstration corners to receive a lesson in dealing with fires that break out following an earthquake; how to use a fire extinguisher and summon an ambulance; methods of escape from a smoke-filled building; how to dispense first aid; and experiencing a major shake. They will receive instructions in evacuation, rescue, handling of flame-retardant materials and other disaster preparations. The female guide recommends that “You should review methods of how to contact family members in case of an emergency and confirm evacuation routes. Also you should check to make sure you have emergency food supplies, a radio, batteries and other necessities. The most dangerous thinking is ‘No disaster will happen; I’ll be all right,’” she warns. So the best way to be prepared is through regular practice drills that take to heart the awareness that “You are responsible for protecting yourself.” One way to do this is to experience simulated situations at Bosai Center (Life Safety Learning Centers) located around the country. Hitoshi Imamura at Tokyo’s Ikebukuro Life Safety Learning Center said, “People who hadn’t been to the center before came often after 3.11. They are mostly groups of university students and business people.” He told us even with the decrease in foreign visitors, the total number of visitors has increased and the demand of emergency items has changed. “Before 3.11, radios, whistles, or emergency provisions had been selling well, but now visitors buy heavier and more practical items like disposable toilets, helmets, thermal blankets and so on.” Why don’t you take time to visit one of those facilities? They usually provide foreign-language pamphlets.

A demonstration corner that simulates past major tremors including the one on March 11, 2011

<Osaka City Abeno Life Safety Learning Center>

Hours: 10:00 a.m. ~ 6:00 p.m.

Holidays: Wednesday and the last Thursday of each month

Admission: Free of charge

Inquiries: (06) 6643-0131

投稿者:Ryoji 投稿日時:
Making Party Masks in Japan

Making Party Masks in Japan

Making Party Masks in Japan

Making Party Masks

Located in the suburbs of Omiya, Saitama Prefecture, Ogawa Studio is a small brick building that resembles a stylish apartment building rather than a small manufacturer. Everything from the creating of the rubber to the packaging is all done on this premise.

Hirohisa Ogawa is the third generation president of this family business. Tracing the history of this small company reflects the trend and changes of small manufacturers in Japan. Originally, as Ogawa Rubber Co., Hirohisa’s grandfather garnered production skills and machinery to make latex balloons. As a forerunner, it was a prosperous business. But in the postwar period, the manufacturing of balloons became more widespread. In the 1960s, Hirohisa’s father made the decision to change the direction of the company and specialize only in producing rubber masks. “At that time, Japan was seen globally as a cheap, reliable source of manufacturing and we were approached by an American company to make these types of masks. We specialized in fulfilling their orders and our business was based on exports,” explained Ogawa. “However, by 1980s, the domestic market grew and cheaper manufacturing options were available in other countries. Our sales are now primarily made in Japan.”

Indeed, from the 1980s, party goods for adults became an expanding market in Japan. While party goods for children remain a small market compared to many countries, silly props for Japanese style “drinking parties” are still popular. General goods stores like LOFT and TOKYU HANDS are major outlets while the Don Quijote chain is the largest purveyors of Ogawa masks.

Ogawa Studio has a display of their past product lines. Prominently on display is the rack of Japanese prime ministers. “We sold more Barack Obama masks than the last seven prime Japanese prime ministers combined,” Ogawa comments with a wry smile. “It’s quite fun creating politician masks. We never have to pay licensing fees to make them so the investment is low. It takes about four days between a new appointment and our finished product. There is always media attention when we introduce our newest prime minister mask.”

Ogawa also makes masks based on famous animation and manga characters. Some are custom-ordered by cosplay (costume play) fans. There are trends but at Ogawa, Ultraman remains the best-seller character brand.

Indeed, the popularity of rubber masks does reflect certain cultural and social trends of the time. For example, last year there was a trend where an anonymous donor provided free schoolbags to orphanages signing his name as “Naoto Date,” the name of a professional wrestler in a famous animation called “Tiger Mask.” The media coverage of this action propelled a flurry of copycat donors across the nation. Many wore Tiger Mask costumes to bring cash or presents to orphanages and city offices. “We sold 10 times as many Tiger Mask products last year. There was even a rumor that I was the original donor,” Ogawa says chuckling. “Unfortunately our business is not that prosperous.”

Tiger Mask

The bestseller remains predictable. The geisha, the samurai and the Buddha masks outsell most trends. Ogawa figured out that one increasing use of these products are by fans at international sporting events. He is introducing a new line of masks and wigs (not as hot and shows the wearer’s face) with a Japanese flag emblem drawn on. The chances are at this summer’s Olympic games, there will be Japanese fans in London cheering their athletes while wearing Ogawa masks.

How a rubber mask is made:

(1) Since Ogawa has roots as a rubber manufacturer, it makes its own rubber from raw materials, using its own recipe to create thin, non-toxic and durable material for the masks.

(2) Two designers are constantly at work creating new models from clay molds. Using photographs and drawings, they carefully mold the special facial features of that person or character. 

(3) The molds are created in multiples. Then hot liquid rubber mixture is poured onto the molds using a conveyor belt and then cooled.

(4) The masks are taken off the molds and then colored by hand.

(5) Another worker then puts the finishing touches.

(6) Masks are packaged by hand and ready to be shipped.

Ogawa Studio Factory Tour:

Tours are free for groups of three or more on the condition that each participant purchase a mask which costs around 2,000 yen ($20).

Tours are about 40 minutes long, between 10 am to noon and from 1 pm to 5 pm on weekdays and the second and fourth Saturday of every month.

投稿者:Ryoji 投稿日時:
Okinawa Antenna Shop in Tokyo

You can enjoy the whole country of Japan in Tokyo! Visit “Antenna” Shops!

Okinawa Antenna Shop in Tokyo

Tokyo Antenna Shops Have Something for Everyone

By Ryoji Shimada, staff writer

“Men-soree!” (meaning “welcome” in the dialect of Okinawa Prefecture) is the friendly way arriving customers are greeted. In the background is the rhythm of music from the south Pacific islands. The store’s colorful interior, with fruits and semitransparent glass evocative of rippling waves, gives the impression of the tropical summer. This is the image conveyed by the shop located in Tokyo’s famous Ginza fashion district, that sells fresh foods, handicrafts and other items from Okinawa, Japan’s southern island.

“We want customers to feel like they’re in Okinawa,” says Noriko Sugishita, chief manager of the “Ginza Watashi Shop,” a so-called antenna shop operated by Okinawa Prefecture. Since the shop’s opening in 1994 customers have increased year upon year, with an estimated 1.3 million coming to shop in 2011.

“I like the tropical theme of the store interior,” says one of the store’s regular patron, a 34-year-old female office worker. She says she has come today to purchase an acerola beverage. A housewife in her 60s, who became interested in Okinawa after her married daughter moved there, says “I don’t want stuff in a bottle — it has to be made freshly.” She holds up a net filled with several small round fruits from Okinawa called shiikwaasaa (Citrus depressa).

 

People visit the Okinawa shop for a variety of reasons. Some have heard about some product via the grapevine or seen something on television, and come to buy it. Some are just passing by on the sidewalk and walk in out of curiosity. Others had been in Okinawa recently but forgot to buy souvenirs, or perhaps didn’t want to be bothered with the burden of lugging back heavy items. Still others are attracted after they see the shop featured on variety TV shows, or they come for special events to sample goods.

The concept behind the “antenna shop” is to promote the produce of a particular locale. Concerning the purpose of her antenna shop, Sugishita explains the marketing aspects, saying, “How do we sell things? Which products are likely to sell? For these and other reasons we want to grasp the conditions in the Tokyo metropolitan area. Through starting actual sales of some products, we can generate a positive cycle, so that our sales motivate manufacturers to produce more goods.”

Perhaps from the same perspective of nurturing producers, an antenna shop to market goods from the northern island of Hokkaido was opened in Ginza in 1997, opposite the Okinawa shop. The “Hokkaido Dosanko Plaza,” favorably located close to a train station, claims some 2.2 million visitors per year. Yoshio Aoki, the store manager, says many of his customers are people who have been to Hokkaido, or those with personal ties to Hokkaido, such as people with relatives there, or employees of Hokkaido companies who are on assignment to Tokyo unaccompanied by their families. “More than coming here to buy souvenirs, they want to use it in the regular sense,” Aoki says. He hopes they will become repeat patrons.

According to data from the Ministry of Agriculture, Forestry and Fisheries, in 2010, Japan’s total food self-sufficiency, when measured on a calorie basis, was 39%. However for the island of Hokkaido alone, food self-sufficiency surpasses 200%. For this reason, the shop is crammed with a wide range of food products, ranging from sea foods to fruits, vegetables and rice. Presently packaged charcoal-grilled sanma (saury) and cuttlefish stuffed with rice are said to be selling well. From the vantage point of marketing, one corner of the display is devoted to new products. Out of some 100 items, only the top-selling 30% over a three-month period are retained. Some are kept on sale regularly. This system is set up to maintain a balance between offerings of new items and popular sellers.

Tokyo, with over 13 million people, is an enormous consumer of goods. This is probably the main reason why although Japan has 47 prefectures, nearly all the antenna shops in the country are located here. The stores permit customers to sample the atmosphere of the localities, and several travel agencies have even organized tours that visit Tokyo’s antenna shops. “Sometimes they come in large groups via tour bus,” says Sugishita, who adds that in such cases they will notify the shop beforehand. According to Aoki, the mood toward domestic travel was heightened in the wake of the so-called Lehman Shock of 2008, and more customers began visiting the shops following frequent coverage in the media from around 2009.

When asked whether or not foreigners also patronize the shop, Sugita responded, “Not so many. Perhaps it’s because they don’t know we exist.” But for foreign visitors pressed for time, whose stay is limited only to Tokyo, these antenna shops can be recommended as places to capture the atmosphere and flavor of Japan’s local areas.

投稿者:Ryoji 投稿日時:
Japan's best garden

Japan’s best garden

Japan's best garden
Japan’s best garden

Seeing Is Believing?

In 2011, the Adachi Museum of Art in Yasugi City, Shimane Prefecture, was ranked as first in Japan by the US magazine “Journal of Japanese on Gardening.” This marked its ninth consecutive year to be accorded such recognition.

Each year since 2003 the journal has sent some 30 experts to Japan to review the gardens at traditional Japanese inns, museums, castles and others, totaling 850 sites in all. The judging standards include quality, harmony with neighboring buildings, treatment of visitors and so on. Ranked in second place for 2011 was Katsura Imperial Villa in Kyoto, followed by Ritsurin Garden in Kagawa Prefecture.

We suppose that photographs alone won’t show what a superb garden it is. So then, how about going there to see it for yourself?

Adachi Museum of Art

Address: 320, Furukawa-cho, Yasugi-city, Shimane Prefecture

Tel: +81-854-82-7111

投稿者:Ryoji 投稿日時:
Osaka Film Festival

Osaka Film Festival

Osaka Film Festival

Last November, the 26th Osaka European Film Festival was held. The occasion commemorated the 38th anniversary of sister city ties between Osaka and Milan, Italy, and also the 158th anniversary of Italy’s “Risorgimento” (unification). Milan’s orchestra was invited, and a pianist provided a solo accompaniment to the 1910 silent film, “Anita Garibaldi.” A 28-year-old woman who attended the event said, “I thought the film and music were perfectly matched — it was wonderful.” Other silent films at the event were accompanied by jazz and a variety of musical performances, and this old-but-new method of artistic expression garnered much attention.

投稿者:Ryoji 投稿日時: